Social Research Colloquium with AHSSI

Monroe 212 1301 College Ave, Fredericksburg, VA, United States

Paul Fallon and Marcus Leppanen will discuss AHSSI projects: "Writing Systems Inventory Database." Paul D. Fallon, Associate Professor of Linguistics. "Effects of Mindful Attention on Memory: An Eye tracking Investigation." Marcus Leppanen, Assistant Professor of Psychological Science.

Free

Social Research Colloquium

Antonio Barrenechea, "One Hemisphere, Many Nations: An Intellectual History of Literature of the Americas"   212 Monroe Hall

Free

Making Ends Meet: Women’s Social Capital Development in Informal Economies

Zoom

Speaker: Dr. Sejuti Das Gupta Assistant Professor, James Madison College, Michigan State University Making Ends Meet This research, undertaken during the pandemic, examines how women workers and employers have navigated the informal economic sector in Michigan and assesses employment strategies before and during the COVID-19 pandemic. Dr. Sejuti Das Gupta received her PhD in Political […]

Free

Social Research Colloquium

Shumona Dasgupta, "Affective Cartographies/A Sea of Stories: Diasporic Oceanic Memory in Amitav Ghosh's Sea of Poppies"   212 Monroe Hall

Free

Social Research Colloquium

Melissa Wells, "Supporting Early-Career Elementary Teachers’ Implementation of Arts Integration"

Free

Social Research Colloquium

102 Mercer Hall

“My fiancée is very much a world citizen”: Gendered Orientalist Habitus and White Women’s Account of WWAM Relationships - Nora Kim and student

Social Research Colloquium

102 Mercer Hall

“The inner brotherhood”: the early years (1925-1945) of The Gilbert & Sullivan Journal - Brooks Kuykendall

Social Research Colloquium

102 Mercer Hall

Predicting and Understanding Pediatric Communication About Firearm Safety - Elizabeth Johnson-Young

Social Research Colloquium

103 Mercer Hall

Antonio Barrenechea  "Monsters, Dictators, and Hollywood Specters: A Century of Hemispheric “Fifth Cinema”

Social Research Colloquium

103 Mercer Hall

Eric Gable Labels/Art: Or how does Pierre Bourdieu’s critique of the Art Museum as Distinction Machine hold up in 2024?